By Darius KADIVAR

©imdb.com & photocomposition DK
One of Britain's hottest young
screenwriters, Iranian-born Hossein Amini wrote the teleplay for Peter
Kosminsky's "Dying
of the Light" (1995), a based-on-fact drama about the outspoken UNICEF aid worker in
Africa, Sean Devereux, who was assassinated in Somalia. The program earned a
BAFTA Award nomination as Best Single Drama. A screen version of Thomas Hardy's
"Jude the Obscure" became his first produced feature, Michael
Winterbottom's "Jude" (1996), winning both the Michael
Powell Award for Best British Film at the Edinburgh Film Festival and Best Film
at the Dinard Film Festival. Amini's adaptation of Henry James, Ian Softley's "The Wings of the Dove" (1997), raised his star to new
heights, putting him in league with Ruth Prawer Jhabvala as a leading
translator of Victorian and Edwardian fiction into the language of film.

Some of Hossein Amini's previous scripts
turned into films ©imdb.com
New Line also initially hired
Hossein Amini to pen "The Subtle Knife," the second part of Phillip
Pullman's "His Dark Materials" starring Daniel Craig, Nicole Kidman and
Eva Green but apparently Amini set off working on another movie Killshot
produced by Quentine Tarantino and the task was given to another talented
screenwriter Chris Weitz.
KillShot is the first collaboration between
Palm d'Or director of Pulp Fiction, Quentin Tarantino and Amir Hosseini
who was Oscar nominated for his script for Wings of the Dove. Tarantino
is executive producer on this film which means he has the final say on the
script and has creative control of the project. The film was directed by
British O John Madden best known for his highly acclaimed Oscar Awarded movie Shakespeare In Love that
spearheaded the then young Gwyneth
Paltrow and Joseph Fiennes to
International Stardom.
Hossein Amini has delivered a wry
script so much appreciated by Tarantino die hard fan's and is based on Elmore Leonard's best-selling crime novel.
The Plot: The beautiful Carmen
Colson (Diane Lane)
and her husband Wayne (Thomas Jane) become entangled in a scam with a bumbling,
small time con artist (Joseph Gordon Levitt) and his over-the-hill hitman
partner the Blackbird (Mickey Rourke). Ultimately, it all comes down to one
wife, one husband, two killers…and one lethal killshot.

Former Sex Idol of Nine ½
Weeks has made a comeback in
Pulp
Fiction Style films From Sin
City (1,2) to KillShot ©imdb.com
After an eclipse of nearly a decade
in any major Hollywood Production due to personal and financial problems,
Mickey Rourke has made a comeback as a Pulp Fiction hero in several noticeable
roles thanks to Tarantino and Robert Rodriguez in such sequel films as Sin
City. It has turned the
former good looking Sex Idol of Arian Lyne's Nine Weeks ½ into a self
destructive and less glamorous film Star but whose ironic onscreen presence has
still maintained some of his charisma.

Killshot is directed by British Award
winning director John Madden ©imdb.com
Hossein Amini appears as one of the
eclectic screenwriters capable of equally writing scripts for action packed
films like the Colonial Adventure The
Four Feathers as
much as more Romantic Drama's in the lines of Henry James Wings of the Dove
novel.
KillShot should therefore be an
interesting film experience for Amini in revisiting a film genre that has been
firmly reintroduced in recent years by Quentin Tarantino.
It seems however that the film is
meant for an immediate DVD release rather than a theatrical one.
VIVE
LE CINEMA !
Author's Notes:
WARNING PG: RATED R: KillShot
Trailer
Recommended Readings:
SAW III: Bahar Soomekh's Halloween Nightmare by Darius KADIVAR
Persian Golden Boys in Hollywood by Darius KADIVAR
Nailing the Script: Hollywood Screen Writer Cyrus
Nowrasteh's new Challenges by Darius KADIVAR
An Interview with Cyrus NowRasteh by Shabnam Rezaei and Darius
KADIVAR

About the Author: Darius KADIVAR is a Freelance Journalist, Film Historian,
and Media Consultant.