
Biography
Mahshid
Modares is an artist, art historian and art collector. She received her B.F.A.
in painting from Azad University, Tehran, in 1995, and her M.A. in art history
from San Jose State University, California, in 2006.
Since 1990,
Mahshid has focused her talent on being a mixed media artist. Her three major
series, Black Reality, Gabeh and Termeh, are the artist's
journey to comprehend her heritage and roots as an Iranian woman artist. In her
paintings, the artist reminds the viewer of the splendor and excellence of
Iranian traditional arts, often mislabeled as handcraft. She invites her
audience to see Iranian indigenous art thoroughly and admire the generations of
artists in many different fields of art, all of whom share a keen understanding
of form, color, coordination, and mathematics behind the geometrical and
arabesque patterns. With her compositions, Mahshid intends to communicate the
same sense of harmony and rhythm that can be found in traditional Iranian art.
Mahshid is
also an art historian and researcher. She plans to continue her academic career
by continuing her research and publications while pursuing a Ph.D. She is
concentrating her studies on the history of visual arts in Iran during the 18th-20th
centuries. Her M.A. thesis Qajar Painting in the Second Half of the
Nineteenth Century and Realism discusses the correlation between Iranian
paintings of the Qajar period with European art. Mahshid's thesis was nominated
for The Outstanding Thesis Award in 2006. She, also, received two
scholarships and one fellowship for her papers.

Termeh no.6 Acrylic, Silk & Cotton Thread, 2007 26x26 inches (Four
pieces, each piece12x12inches)
Termeh
Series:
Dedicated to all Iranian Women
and my mother, Ozra Mehrpasand, who taught me embroidery.
My 2006-2008
project is a series of ten canvases named Termeh no. 1, Termeh no. 2
and so on, which are a combination of acrylic painting and embroidery. The
paintings exhibited here are Termeh no. 5, Termeh no. 6, and Termeh no. 7.
Termeh is a woven
cloth completely handmade that originated in Iran. The intricate patterns on
the cloth are usually the result of pure silk, real gold and silver fibers.

Termeh no. 4 Acrylic, Silk & Cotton Thread 2007, 24x24 inches
The purpose of
creating this series is to scrutinize the patterns, colors, coordination, and
composition of Iranian textiles such as Termeh and Persian carpet that are
examples of Iranian sublime art and that has been basically products made by
women for centuries.
Through this
experience, I tend to appreciate the excellent works of arts created by unknown
women artists, as well as to expose a path in which I can translate the language
of traditional textile design into the modern visual language.
These ten paintings become more
complex, as Termeh no. 1 is the simplest one and Termeh no. 10
will reach the complexity of Persian carpet and Termeh.

Termeh no. 5 Acrylic, Silk & Cotton Thread, 2007 24x24 inches
"The most formative years of my life have been
spent giving birth to my artworks. It was through art that I discovered my
creativity and my convection to nature all around me. I look at nature to
find colors, objects, shapes and forms.
During my journey into the world of art I have been driven to use my
imagination more than visible reality. Many of the human figures and still
lifes I created in years 1990-1995 were imaginative. I often did not use any
model. Later, my forms became more simple and abstract. Then, I realized
that my hidden tendency to abstractionism is somehow related to geometric
forms and colors of tiles in masque, Klim, carpets and Iranian art in
general. The abstract forms and distinctive compositions in Iranian art have
guided me to look for harmony, rhythm, and spiritual gradations in my works.
I believe in art as an international visual dialogue that should embrace
characteristics of the artist and the culture he or she grew up in; in my
works I am looking for my roots as an Iranian artist."

Termeh no.7 Acrylic, Silk & Cotton Thread, 2008 24x36 inches
Mahshid Modares was one of
the participants in the Art
Exhibition held by
The Iranian Women's Studies
Foundation (IWSF) in conjunction with the 19th IWSF
2008 International Conference in Berkeley, California (July 4-6, 2008). This
exhibition was in recognition and appreciation of Iranian women artists and in
celebration of their work. Modares displayed her some of the works from her
Termeh series in this exhibition.
See also Mahshid Modares's
page
on
Beyond Persia's web site.
... Payvand News - 08/18/08 ...
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