Born in Isfahan, Iran, Elham
Moaidnia communicates through her
work by using Iranian symbols, expressive figures and scripts appearing as
slogans. Her inspiration comes from observing contrasts in society and the life
of man in today's world. Using acrylics, ink and oil on canvas she paints her
expressive figures in a decorative style. One can observe Rumi poetry in many of
her paintings, best described as post-expressionist and influenced by the great
master Marc Chagall. The principal essence of Elham's works are social,
portraying life in 'Iran Today' and especially the fate of women caught between
tradition and modernity.

June
9 to July 15 2008 at Showcase Antiques Art & Frames LLC
P.O. Box - 74700
Dubai - United Arab Emirates
info@showcasedubai.com
www.showcasedubai.com
Tel: +971(4) 348-8797
Fax: +971(4) 348-788
Under the Patronage of HE
Zaki A. Nusseibeh
Deputy Chairman of Abu Dhabi
Authority for Culture & Heritage
Biography:
Elham Moaidnia - Says she started
scribbling with pencil and paper since she was not yet ten. She was fascinated
by these so-called drawings as well as the real world around her, and soon she
developed a deep love for this, which has not left her and has grown by the day.
Form - She
began her work by copying the classics, some graphic work, and national and
traditional motifs. After all she was born in Esfahan, the cradle of art and
culture in post-Islamic times. Gradually Iranian motifs faded away from her
works and they were replaced with Expressionism, and today she considers her
work post-Expressionist. From among the masters she is more inspired by Marc
Chagall.
Content -
The principal essence and message of Elham's works are social, and she is
impressed by the life of man in today's world, especially the fate of women and
her condition in the IRI. Two main features in her work are first: descriptive,
where she narrates the events or realities she observes. In proportion to the
strength or placidity of her emotion vs. the subject of work, her sentimental
passion is also influenced, and shows itself colourful or discoloured on the
canvas. Colours play the central role in reflecting her message; then come the
lines and curves, etc.
She uses
various media: water colour, oil painting, gouache, dilapidated paper from old
books and newspapers and calligraphy, and even ceramic and wood at times. The
second feature of Elham's work is offering positive message for activity and the
manner of activity. Hence, her work is not merely narrative describing a tragic
reality, rather, at times, and perhaps often, small windows of hope and light
could be detected here and there in her works.
Elham says: "She
is an optimist and hopeful, and knows that "eventually
someone will come, someone who is like no one; someone who pulls out his knife
solely for cutting bread and dividing it between the needy!"
This
optimism accompanied with passion and enthusiasm for struggle and solving the
problems, above all the predicaments of modern woman. And where it concerns the
woman of today and her plights and predicaments, she asserts herself and her
work with strength and high profile, and this is probably the core wish and
essence of Elham's work.
Elham is
obviously still at the start of her work. Art has very difficult and uneven
path, full of ups and downs; but Elham too is very hardworking and industrious,
serious in her work, and does not easily give up or back track on her beliefs
and work.
... Payvand News - 07/01/08 ... --