By
Darius KADIVAR
Movie Critic Icon and Screen Writer Jean Claude
Carričre Lectures at Iran's House of Cinema

FEMIS Founder
Jean Claude Carričre, delivers Master Class
on screenwriting at the Tehran House of Cinema. ©Femis & Imdb
Payvand.com - Jean Claude
Carričre, is certainly one of the most prolific and respected screenwriters in
contemporary Cinema. He is also the founder of France's most prestigious film
school: La FEMIS. He is married to Iranian author Nahal Tajadod and is a great
connoisseur of Iranian films and literature particularly poetry. He is certainly
one of the major personalities in the West who has worked deeply in bridging the
Orient at Large particularly Iran and India with the West. He was in Iran
recently to deliver lectures and MasterClass' at the Iranian House of Cinema in
presence of professionals and avid film students.
"Iran is a country full of
secrets and mysteries and that is why it has powerful cinema," French actor and
screenwriter Jean-Claude Carričre said in Tehran on Tuesday. He made the remarks
during a lecture he delivered during a session with Iranian cinematic figures
held at Iran's House of Cinema on January 1.
The French cineaste
praised the Iranian cinema industry, saying it is currently producing some of
the world's best films.
Carričre said he is very happy
to be able to visit Iran, adding, "When I am in the House of Cinema, it is as if
I am in my own house and everything looks familiar to me."
He described himself as an
author of books, screenplays, and plays who has always been interested in
discovering new methods of writing.
Carričre has worked as the
principal of a French film school, written books on films and screenwriting, and
hosted a debate program on French television.

Historical photoshoot ©imdb
He said that he believes a
screenwriter is not a novelist but rather a member of the crew, since cinema has
its own language and a screenwriter must know the language.
Commenting on his screenplay
adaptations of some of the world's major literary works, he stated, "Some of the
literary works have the potential to be turned into a film, and in writing a
screenplay I only think of the movie not the literary work, because if I keep
referring back to the literary work, I will not be able to create a screenplay,
rather, it will turn into an illustrated book."

Carriere's latest screenplay was
for director Milos Forman ( Amadeus)
Goya's Ghosts
( starring
the sensuous
Nathalie Portman
and
Javier Bardem).
Carričre was to first draft the screen play for Amadeus but ultimately worked
with Forman on a less successful
Valmont.
©imdb &
photocomposition DK
Carričre also mentioned his
joint project with Peter Brook entitled "The Conference of the Birds" and said
that the play was written based on Attar's "Mantiq at-Tayr", adding, "The
symbolic language of Attar compelled us to perform it in the form of a play, and
it was very difficult to make the cinematic version."

He went on to say that a good
play is not predictable, adding, "As Chekhov believes, one should never ask a
character to define himself but should put him in a position in which he can
define himself."
In conclusion, he said, "Every
time I come to Iran I feel that I am in a country where the unseen is more
important than what is seen. There are always many hidden things in a film which
are as important as its other major elements. Many beautiful films have been
made in Iran over the past 30 years, and I have nothing new to teach Iranian
cinema."

Carričre is
married to Iranian author
(also Rumi Scholar), Nahal Tajadod
©JCLattčs & Nahal Tajadod
House of Cinema Managing
Director Reza Mirkarimi also gave a short speech at the session in which he
said, "We share a common interest in cinema with Carričre. He is very attracted
to the art and culture of the Middle East, especially Iran's, and has created
works based on the works of Iran's great masters of literature and poetry. This
can be an effective method of cooperation."

Rakhshan
Bani-Etemad, Alireza Raiisian, Mohammad Shirvani, Mojtaba Raei, and other
Iranian filmmakers also participated in the session. ©imdb & photocomposition
DK
VIVE LE
CINEMA!
&
ZENDEBAD
CINEMA ! ;0)
Authors Notes:
Official Website of LA FEMIS:
http://www.lafemis.fr/
Recommended Readings:
Rumi A Great Film Critic's Choice
by Darius KADIVAR
Tickets to Master Class:
Co-Direction of Styles with KIAROSTAMI, LOACH, OLMI
by Darius KADIVAR
Iranian Pioneers in French New
Wave Cinema
by Darius KADIVAR
BREAKING THE WAVES: Iranian Women
of the Diaspora Seduce French Media
by Darius KADIVAR
An Independent Eye : Hengameh
Panahi Producer Distributor in France
by Darius KADIVAR
MAZEH : A Taste of Persia in the
Heart of Paris
by Darius KADIVAR
Anicée (ALVINA) Shahmanesh:
France's Sex Icon of the 1970's
by Darius KADIVAR
Enduring FriendShip: Alain Delon
and Farah Pahlavi
by Darius KADIVAR
Centre Pompidou Hosts Kiarostami-Eric
Exhibition
by Darius KADIVAR
Kiarostami Reveals Name of Film
With Juliette Binoche
by Darius KADIVAR
Observing the Maestro: Binoche
paints Kiarostami for Les Cahiers
by Darius KADIVAR

About the Author:
Darius KADIVAR is a Freelance Journalist, Film Historian, and Media Consultant.
He is also contributes to
OCPC Magazine
in LA/US and to the
London
Based IC Publications
The Middle East Magazine
and
Persian Heritage Magazine.
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